03

Floating points composition ; unknown
2025

performance, 40min

latex string, voice, singing bowl, anti-radio, synth, contact mic, concrete, metal, steel wire, loudspeakers, audio cables, amp and electronic components.

Presented at zero(yeah), De Thomas Kerk, Amsterdam, NL

In a live set, the latex strings of the installation become an instrument by activation. Their amplified tensions are woven together with real-time radio reception, filtered field recordings of daily life, voice and synthesis. Scripted and unscripted acts interfere with and attune to one another. Lying down at the centre of the space, the audience is invited to a shared act of listening, where what is audible meets what is remembered.

Photography by Tom Philip Janssen
Videography by Kyulim Kim

04

Floating points composition ; the instrument
2025

installation. various dimensions

latex, concrete, metal, contact mic, steel wire, loudspeakers, audio cables, amp and electronic components.

Presented at zero(yeah), De Thomas Kerk, Amsterdam, NL

Hand-made latex strings suspended through the church divide it into a shifting geometry of fractures, connections and thresholds. Stretched to different tensions, each line carries its own weight, direction and texture, and redraws the edges of the space as visitors move around and between them. Wired with contact microphones, the lines are not only sculptural: they hold the space in a state of latent sound.

1, 3 Photography by Tom Philip Janssen
2, 4 Photography by Bea Secchia
5, 6 Photography by Thomas K.